Petite Blue (2012–2018 Archive)
Petite Blue is a series of unique cyanotypes on stretched canvas, created between 2012 and 2018 with a mission to make original fine art accessible for every home. Layering historic photographic sun-printing with hand-painted acrylic and luminous gold leaf, the collection spans diverse imagery—from my signature ballerina motif to racecars, camels, and palm trees.
I am honoring that original spirit of accessible collecting with these remaining archive pieces. Once these works are sold, there are no immediate plans to produce more.
The Studio & Other Work
While Petite Blue offers a lighter, calming presence, my broader studio practice explores environmental, historical, and political themes through mixed media and printmaking.
To explore my conceptual projects, gallery exhibitions, and full body of work, visit www.kadiesalfi.com.
Workshops & Teaching
With over 25 years of teaching experience, I share a deep passion for printmaking and the creative process. I teach a variety of studio techniques—including cyanotype, drypoint, photo etching, drawing, and screen printing.
Over the years, I’ve shared my expertise through workshops at Cornell University, The Ink Shop (Ithaca, NY), Saint Michael’s College (VT), San Francisco Waldorf High School, and directly from my private studios.
Bio
I grew up between the Bay Area and Vermont before earning my BFA in Printmaking, Photography, and Sculpture from the School of the Art Institute of Chicago. Early in my career, I spent two years at Gemini G.E.L. in Los Angeles printing graphic editions for contemporary masters like Robert Rauschenberg, Vija Celmins, Richard Serra, and Jasper Johns. In 1998, I transitioned fully to my own artist practice and teaching.
Today, I maintain a dedicated studio in Little Compton, RI. My work has been featured in solo gallery shows and group exhibitions across both coasts—including A.I.R. Gallery (Brooklyn), Cornell University, Corners Gallery (Ithaca), Arnot Art Museum (Elmira, NY), and the BCA Center (Burlington)—and highlighted in publications like The Wall Street Journal, Artscope, and Of Note Magazine.
My original works are held in private collections across North America and internationally.
A Quick Studio Note
I love making art, teaching art, and connecting with people who believe in the creative process. I believe deeply in the work I make—and I prefer letting the art speak for itself over marketing and schmoozing.